Matthias Goerne
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role: unknown · 20%era: Modernmovement: 20th-century classical1967
Movement
20th-century classical · Wikipedia
20th-century classical music is Western art music that was written between 1901 and 2000, inclusive. Musical style diverged during the 20th century as it never had previously, so this century was without a dominant style. Modernism, impressionism, and post-romanticism can all be traced to the decades before the turn of the 20th century, but can be included because they evolved beyond the musical boundaries of the 19th-century styles that were part of the earlier common practice period. neoclassicism and expressionism came mostly after 1900. Minimalism started later in the century and can be seen as a change from the modern to postmodern era, although some date postmodernism from as early as about 1930. Aleatory, atonality, serialism, musique concrète, and electronic music were all developed during the century. Jazz and ethnic folk music became important influences on many composers during this century.
How this movement sounds
new harmoniesnew rhythmsneoclassicismatonalityminimalismsharp contrasts
20th-century classical listening cues: variety and experimentation. Some music keeps older forms (neoclassicism) but with sharper harmonies, leaner textures, and motoric rhythms.
Other strands move toward atonality (no clear tonal center) or explore new scales and sonorities; rhythm can become more complex, more mechanical, or more jagged.
Timbre and texture are often treated as structural elements: changes in sound color can function like 'harmonic' events.
A practical way to listen: instead of expecting a 'tune', track motives (tiny cells), rhythm, and register. Modern pieces often build form by transforming small units rather than by long melodies.
Minimalism is another common thread: repetition, gradual change, and a focus on pulse and process over long spans.
How Matthias Goerne sounds
new harmonyrhythmic bitecolor & textureminimal patternsextended techniques
Modern/contemporary music varies wildly, but you will often hear experimentation with harmony, rhythm, and sound color as primary material.
Some strands emphasize rhythmic bite and sharp contrasts; others explore timbre and atmosphere; minimalism builds from repeating patterns and gradual change.
If the music feels less about singable melody and more about texture, pulse, or color, you are probably hearing a modern idiom.
Wikipedia
Matthias Goerne (born 31 March 1967) is a German baritone.Wikipedia
He has performed and recorded extensively, both on the opera stage and in Lieder settings. Goerne has been referred to as "Today's leading interpreter of German art songs" by the Chicago Tribune, while the Boston Globe describes him as "one of the greatest singers performing today".Wikipedia
Prominent opera stages on which Goerne has appeared include the Royal Opera House in London, Teatro Real in Madrid, Paris National Opera, Vienna State Opera, and the Metropolitan Opera in New York City. His carefully chosen roles include Wagner's Wolfram in Tannhäuser, Amfortas in Parsifal, and Kurwenal in Tristan und Isolde, Orest in Elektra by Richard Strauss and the title roles in Alban Berg's Wozzeck, Bartók's Bluebeard's Castle, Hindemith's Mathis der Maler and Reimann's Lear. In lieder recitals, he has worked with pianists including Alfred Brendel, Vladimir Ashkenazy, Daniil Trifonov and Seong-Jin Cho.Wikipedia
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Mahler - Des Knaben Wunderhorn | Matthias Goerne | WDR Symphony Orchestra
YouTube · FREE · 43m · published 2024-02-12
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