Matthias Goerne
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genres: classical · followers: 6,256
Baritone Matthias Goerne has been noted for his interpretations of German lieder and orchestral song.Spotify
He has also had success in a variety of operatic roles, both mainstream and contemporary, and not all of them in German. Goerne was born in Weimar, then in East Germany, on March 31, 1967.Spotify
He sang youth roles with the Weimar City Opera. Goerne studied in Leipzig with Hans-Joachim Beyer, and then with the cream of the German lieder singers of the day, Elisabeth Schwarzkopf and Dietrich Fischer-Dieskau and took several major competition prizes before singing in Bach's St. Matthew Passion, BWV 244, under legendary conductor Kurt Masur in 1990.Spotify
He made his operatic debut in 1992 in Cologne, in Hans Werner Henze's opera Der Prinz von Homburg. Another break was a prominent substitute appearance, in Mahler's Des Knaben Wunderhorn, for the ailing Fischer-Dieskau, in 1997. He has often sung vocal parts in works by Mahler.Spotify
A cast member at the Dresden Staatsoper for many years, Goerne has appeared increasingly often at other houses. He made his Covent Garden debut as Wozzeck in Berg's opera of the same name in 2002, and the role of Marcello in Puccini's La bohème, in Italian, is part of his repertory. Goerne was an artist-in-residence at the New York Philharmonic for the 2018-2019 season, and in 2019 he made return visits to the Salzburg Festival in Austria.Spotify
Goerne has performed many recitals devoted to the German lied, and among his major recording projects is a 12-volume Schubert edition that appeared on the Harmonia Mundi label between 2008 and 2014. Goerne's recording catalog is large and includes albums on Decca, Hyperion, and other labels, in addition to Harmonia Mundi. As his voice has deepened, he has essayed Wagnerian roles and issued the album The Wagner Project in 2017.Spotify
On Harmonia Mundi, he was heard on a recording of Brahms' A German Requiem, Op. 45, in 2019, with the Swedish Radio Symphony Orchestra. Also, in 2019, he released an album of Schumann lieder with Leif Ove Andsnes that was nominated for a Grammy award.Spotify
role: unknown · 20%era: Modernmovement: 20th-century classical1967
Movement
20th-century classical · Wikipedia
20th-century classical music is Western art music that was written between 1901 and 2000, inclusive. Musical style diverged during the 20th century as it never had previously, so this century was without a dominant style. Modernism, impressionism, and post-romanticism can all be traced to the decades before the turn of the 20th century, but can be included because they evolved beyond the musical boundaries of the 19th-century styles that were part of the earlier common practice period. neoclassicism and expressionism came mostly after 1900. Minimalism started later in the century and can be seen as a change from the modern to postmodern era, although some date postmodernism from as early as about 1930. Aleatory, atonality, serialism, musique concrète, and electronic music were all developed during the century. Jazz and ethnic folk music became important influences on many composers during this century.
How this movement sounds
new harmoniesnew rhythmsneoclassicismatonalityminimalismsharp contrasts
20th-century classical listening cues: variety and experimentation. Some music keeps older forms (neoclassicism) but with sharper harmonies, leaner textures, and motoric rhythms.
Other strands move toward atonality (no clear tonal center) or explore new scales and sonorities; rhythm can become more complex, more mechanical, or more jagged.
Timbre and texture are often treated as structural elements: changes in sound color can function like 'harmonic' events.
A practical way to listen: instead of expecting a 'tune', track motives (tiny cells), rhythm, and register. Modern pieces often build form by transforming small units rather than by long melodies.
Minimalism is another common thread: repetition, gradual change, and a focus on pulse and process over long spans.
How Matthias Goerne sounds
new harmonyrhythmic bitecolor & textureminimal patternsextended techniques
Modern/contemporary music varies wildly, but you will often hear experimentation with harmony, rhythm, and sound color as primary material.
Some strands emphasize rhythmic bite and sharp contrasts; others explore timbre and atmosphere; minimalism builds from repeating patterns and gradual change.
If the music feels less about singable melody and more about texture, pulse, or color, you are probably hearing a modern idiom.
Wikipedia
Matthias Goerne (born 31 March 1967) is a German baritone.Wikipedia
He has performed and recorded extensively, both on the opera stage and in Lieder settings. Goerne has been referred to as "Today's leading interpreter of German art songs" by the Chicago Tribune, while the Boston Globe describes him as "one of the greatest singers performing today".Wikipedia
Prominent opera stages on which Goerne has appeared include the Royal Opera House in London, Teatro Real in Madrid, Paris National Opera, Vienna State Opera, and the Metropolitan Opera in New York City. His carefully chosen roles include Wagner's Wolfram in Tannhäuser, Amfortas in Parsifal, and Kurwenal in Tristan und Isolde, Orest in Elektra by Richard Strauss and the title roles in Alban Berg's Wozzeck, Bartók's Bluebeard's Castle, Hindemith's Mathis der Maler and Reimann's Lear. In lieder recitals, he has worked with pianists including Alfred Brendel, Vladimir Ashkenazy, Daniil Trifonov and Seong-Jin Cho.Wikipedia
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Mahler - Des Knaben Wunderhorn | Matthias Goerne | WDR Symphony Orchestra
YouTube · FREE · 43m · published 2024-02-12
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